Imaginary Alien XI LAST DAY OF Järna Festival Academy 2019!
And boy, do we have a fantastic program for you!
Come celebrate with us!
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11.00:
BACH & BRUNCH II
Järna Festival Academy invites you to a concert with Bach and Brunch in Bruno Liljefors idyllically situated turn-of-the-century villa, just a stone’s throw from Kulturhuset, where the festival’s artists will treat you with three sets of the master’s music. Food and drinks can be pre-ordered through the website or at +46765848998.
Andreas Borregaard - Accordion
Ylva Larsdotter - Violin
Barbara Buntrock - Viola
https://jarnafestivalacademy.com/programme/bachbrunch2/
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14.00 - 16.00:
CHAMBER MUSIC FINALE
The masterclass students invites you to enjoy the fruits of their labor from the new chamber music course!
Mozart – Piano Quintet in g minor
Shostakovich – Piano Trio no 1
Brahms – Clarinet Trio
Brahms – String Quintet no 2
Rachmaninov – Piano Trio no 1
ADMISSION FREE (pre-booked free ticket is required)
https://jarnafestivalacademy.com/programme/chambermusicfinale/
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17.00:
IMAGINARY ALIEN X
Workshop with Denise Clarke
Chamber music, theatre arts and life in general require us to collaborate and be receptive. In this workshop, the audience gets the chance to work with one of the world’s foremost theatre educators in the art of seeing the other and putting oneself in their shoes.
ADMISSION FREE!
https://jarnafestivalacademy.com/programme/imaginaryalien10/
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18.00:
IMAGINARY ALIEN XI - IMAGINARY ALIENS
CLOSING CONCERT OF Järna Festival Academy 2019
The festival’s closing concert has a more poetic twist than previous concerts in the series. Instead of highlighting our differences, it focuses on what holds us together and praises the empathy that binds us in brotherhood and understanding.
Die Moldau summarises the melodic red thread which we have woven through the festival, linking cultures, nationalities and ages.
The title of Arvo Pärts meditative masterpiece Fratres translates to brothers, and the music brings to life for us two separate entities which gradually move towards one another.
Until Nothing Left for solo accordion is a spectacular work that subtly breaks down the boundary between performer and public, as a way to change our empathic sphere.
In the festival’s finishing work, we meet Ethel Smyth, one of the driving forces of the Woman’s suffrage movement in England. Smyth was a true renaissance woman: composer, writer, inspirer, activist, and more. Here we meet her in the magnificent String Quintet in E-flat major, a work which at its inception in 1884 was not considered suitable for a female composer due to its powerful and “masculine” qualities. But as it turns out, it works perfectly as our festival finale!
Bedřich Smetana – Die Moldau (transcribed for four hand piano by the composer)
Peter Friis Johansson, Karin Haglund – piano
Arvo Pärt – Fratres for violin and piano
Suyoen Kim – violin, Peter Friis Johansson – piano
- INTERMISSION -
Niels Rönsholdt – Until Nothing Left
Andreas Borregaard – Accordion
- INTERMISSION -
Ethel Smyth – String Quintet op. 1
Ye-Eun Choi, Suyoen Kim – violin, Yuval Gotlibovich – viola, Jakob Koranyi, Zvika Plesser – cello
https://jarnafestivalacademy.com/programme/imaginaryalien11/
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MORE INFO AND TICKETS CAN BE FOUND HERE:
https://jarnafestivalacademy.com/festival-2019/programme/ ... See more
The festival's closing concert has a more poetic twist than previous concerts in the series. Instead of highlighting our differences,
